翻訳と辞書
Words near each other
・ Wilhelm Sachsenmaier
・ Wilhelm Salomon Freund
・ Wilhelm Salz
・ Wilhelm Sander
・ Wilhelm Sasnal
・ Wilhelm Sauer
・ Wilhelm Sauter
・ Wilhelm Schaffrath
・ Wilhelm Schauman
・ Wilhelm Schepmann
・ Wilhelm Scherer
・ Wilhelm Scheuchzer
・ Wilhelm Schickard
・ Wilhelm Schilling
・ Wilhelm Schimmel
Wilhelm Schirmer
・ Wilhelm Schitli
・ Wilhelm Schlenk
・ Wilhelm Schlombs
・ Wilhelm Schlüssel
・ Wilhelm Schlüter
・ Wilhelm Schmalz
・ Wilhelm Schmid
・ Wilhelm Schmid (painter)
・ Wilhelm Schmid (scholar)
・ Wilhelm Schmidding
・ Wilhelm Schmidt
・ Wilhelm Schmidt (engineer)
・ Wilhelm Schmidt (linguist)
・ Wilhelm Schmidt-Ruthenbeck


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Wilhelm Schirmer : ウィキペディア英語版
Wilhelm Schirmer

August Wilhelm Ferdinand Schirmer (born 6 May 1802 in Berlin; died 8 June 1866 in Nyon) was a German landscape artist.
==Biography==
Schirmer was born in Berlin. As a youth Schirmer painted flowers in the royal porcelain factory; afterwards he became a pupil of Friedrich Wilhelm Schadow in the Berlin Academy, but his art owed most to Italy. In 1827 he went to Italy, where his sojourn extended over three years. He became a disciple of his countryman Joseph Koch, who built historic landscape on the Poussins, and is said to have caught inspiration from J. M. W. Turner. In 1831 Schirmer established himself in Berlin in a studio with scholars. From 1839 to 1865 he was professor of landscape in the academy.
Schirmer's place in the history of art is distinctive. His sketches in Italy were more than transcripts of the spots; he studied nature with the purpose of composing historic and poetic landscapes. On the completion of the Berlin Museum of Antiquities came his opportunity. Upon the walls he painted classic sites and temples, and elucidated the collections by the landscape scenery with which they were historically associated.
Schirmer's goal was to make his art the poetic interpretation of nature and he deemed technique secondary to conception. His pictures appeal to the mind by the ideas they embody, by beauty of form, harmony of line, significance of light and color. In this constructional landscape German critics discover motive, inner meaning, the subjective, the ideal.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Wilhelm Schirmer」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.